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--- miriam [2022/02/17 16:34] – miriam
+++ miriam [2022/02/18 09:53] (current) – miriam
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+.2.\\
+Welcome\\
+Jahres Programm KF- kurz was haben wir untersucht\\
+Worum geht uns in dem Projekt in 2 Sätzen\\
+Multidirectionality/ different voices, EInladung der anderen Künstler*innen\\
+Verhältnis Individuum-größerer Kontext/ Rhythms/ Oszillieren-meandern anstelle von progress\\
+Nearby Breathing- atmen als form von sensation, state zw loslassen und sich selbst in seinem rhytmus zu beobachten, belassen, das in den kontext von research u artistc research, wie ein Ausgangspunkt für verschiedene experiemnetelle choreograf. Anordnungen/Versuche, wie kann man eine Verbindung/ Kommunikation in einer kollektivität hervorbringen kann, zwischen sensing-knowing, difference without separabilty, de-hierarchize different knowledges, Zulassen von eignen tresholds, tension, frictions auf einem experience personal bodily, ecological felt sense teil ist von dem verbunden sein\\
+Gleichzeitigkeit von personal (vulnerabilties, history) and artistic Process
 .2.2022\\
 During our research process of Breathing With we have been busy with the question of what we are sharing/offering to our audience. Why "other" people should partake in this experience..
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 What might create the confusion/ opacity is the fact that we want to use breathing in a metaphoric sense (letting different voices and ideas relate to each other, "creating air" between these), at the same time paying attention to ones breathing that is always a very personal, psychological, or psycho-somatic experience. Where one holds their breath, where there is no movement to let breath come through, speaks of experiences of each one´s own history, that might be traumatic. In these session (of Rosen method and perceptible breath work) I learned to attend to my breath, letting it "speak for itself", not trying to control it or immediately change it. Attending to it also means to acknowledge that there is pain and wounds and being confronted with my resistances, tensions and limits.\\
 Offering the practice was first of all an outcome of this pandemic times when we were unable to travel, not being able to meet in a physical space. It was also an attempt of being connected to each other and disconnect at times from our images on the flat screen, guiding us through instruction led by our voices and having a sensation of being connected. When we did it for the first time in a physical space...--> emancipatory potential of offering these sessions in an art institution and not in a therapeutic/bodywork/somatic context- to embrace each ones vulnerabilties without psychologizing it...letting it partake in this "Bigger event"
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