Differences

This shows you the differences between two versions of the page.

--- artistic_research_questions [2021/03/16 09:41] – miriam
+++ artistic_research_questions [2021/03/16 13:00] (current) – miriam
@@ Line 8: / Line 8: @@
 Was bedeutet für dich zu Atmen?\\
 \\
-How did you come to the Rosen Method? What does motivate you to stay with it?
+__How did you come to the Rosen Method? What does motivate you to stay with it?
+__
 .Ausbildung /Education:
@@ Line 15: / Line 15: @@
 Was heißt es vom Atem zu lernen?\\
 \\
-What was a moment of revelation for you when you did the Rosen-education? What does it mean to "learn from breathing", "to learn with breathing?"\\
+__What was a moment of revelation for you when you did the Rosen-education? What does it mean to "learn from breathing", "to learn with breathing?"__\\
 \\
 . Praxis mit einem Körper/practice with a body:\\
 \\
 Mit welchen Sinnen näherst du dich einem Körper in der Praxis?\\
-With which senses to you approach a body?\\
+__With which senses to you approach a body?\\__
-Folgst du einem Prinzip?\\  Do you follow a certain principle?\\
+Folgst du einem Prinzip?\\  __Do you follow a certain principle?__\\
-Gibt es Rituale oder Reihenfolgen?\\ Are there rituals and patterns in approaching the body of a client?
+Gibt es Rituale oder Reihenfolgen?\\ __Are there rituals and patterns in approaching the body of a client?__
 \\
 Marion Rosen hat einmal gesagt, dass sie im Laufe ihrer Arbeit, die Entscheidung, wo am Körper sie beginnen würde zu arbeiten, ihren Händen überlassen hat. Als hätten diese ein eigenes Wissen.\\
 Wir interessieren uns in der künstlerischen Forschung dafür, welche Wege der Wissensproduktion und Begegnung es neben rationalen Herangehensweisen gibt. Kannst du uns davon erzählen, was für dich das Wissen in Relation mit der Methode xy..ausmacht?\\
-Marion Rosen said once that it is up to her hands to decide where she would start the work, the treatment. As if the hands had a knowledge of their own. In our artistic research project, we are interested how knowledge emerges next to rational approaches of knowing. Can you share with us, what kind of particular knowledge is produced through the hands?
+__Marion Rosen said once that it is up to her hands to decide where she would start the work, the treatment. As if the hands had a knowledge of their own. In our artistic research project, we are interested how knowledge emerges next to rational approaches of knowing. Can you share with us, what kind of particular knowledge is produced through the hands?__
 \\
 Wie findest und empfindest du Spannungen im Körper deiner KlientInenn? Emotionen, die sich im Körper festsetzen. - Das Body/Mind Problem\\
-How do you sense and find tensions in the body of your clients? Emotions that are incrusted in the body.\\
+__How do you sense and find tensions in the body of your clients? Emotions that are incrusted in the body.\\
+__
+Ist da nicht ein gewisser Widerspruch , wenn Rosen sagt, dass man den Atem kommen lassen soll und es gleichzeitig explizit um das Zulassen des Atems geht? oder ist das einfach ein Paradox, das zwar auf sprachlicher Ebene stattfindet aber nicht auf einer Ebene der Erfahrung? Wie siehst du das?
+__I stumbled upon a passage in the book about the rosen method. Marion Rosen wrote that you can tell by the expression on their client´s face how old this person was when something happened to them that are decisive for their current tension and pain. This sounds very miraculous and exciting, could you tell us a bit about your experience?__\\
+\\
+__The importance of language and speaking during the session- what I find particular about the Rosen method as a body practice/ therapy is that it includes speaking.What kind of language does this speaking require and produce?__
 \\
 . Philosophische Fragen/philosophical questions:
@@ Line 35: / Line 44: @@
 Expansion: mit Martial haben wir über die expansion des Körpers gesprochen und dass der Körper sowie alle Organismen sich in einer stetigen Expansion befinden - der Atem ist ja auch ein Phänomen, das sich auf den ganzen Körper ausdehnen kann. Wenn wir davon sprechen, in den unteren Rücken zu atmen oder in die Beine zu Atmen, dann geht es ja nicht darum, dass wirklich die Luft in diesen Raum vordringt, sondern hat eben auch etwas mit dieser Ausdehnung zu tun..kannst du dazu was sagen?\\
 \\
-We like to think about the expansion of the body and imagine that the body is constantly expanding. The skin is not the border of the body. Breathing is also a phenomenon that can stretch out over the entire body. When we say that we are 'breathing into our back' or into the legs, the air does not literally move there. Or? How do you think that?\\
+__We like to think about the expansion of the body and imagine that the body is constantly expanding. The skin is not the border of the body. Breathing is also a phenomenon that can stretch out over the entire body. When we say that we are 'breathing into our back' or into the legs, the air does not literally move there. Or? How do you think that?__\\
 \\
 . Corona und Atem / Corona and breathing
@@ Line 41: / Line 52: @@
 Hat sich etwas darüber, wie du über Atem denkst und fühlst verändert?\\
 \\
-What thoughts come to your mind if you think of the last year of the pandemic?
+__What thoughts come to your mind if you think of the last year of the pandemic?
 Has something changed in the way you sense and think breathing?
-\\
-There seems to be a difference between the natural breath and the staged (inszeniert) breath. Both can be difficult to distinguish at first. When clients take a breath, they draw air into their chest and in return they make a completely unnecessary contraction of their muscles, either the neck muscles, the intercostal muscles, or the diaphragm. However, when clients allow their breath to come in without their intervention, they are allowing the muscles of the chest to relax. As a result, the chest opens to full volume and breath can flow into this area. I have read that the non-staged breath is much deeper than the staged breath and thus tells us more about people, about their emotions.
-I would be curious to hear a bit about how you draw the distinction between this so called "staged" breath , when you actively take a breath and when you allow the breath to come. From my experience in the sessions I can say that I know how this difference feels (it almost feels magical when the body takes over) yet it feels quite paradoxical to me. Talking on the one hand about the letting the breath come by itself as if there was something wrong about taking a breath, let´s say actively...When I´m conscious about this difference I can be caught in the evaluation wether I do it "right" or "wrong"...As a practicioner how do you approach this distinction and in how far can you support your client to let the breath happen by itself..
+__
 ----------------------------